There was also design for information, with data integration from multiple sources. Herbert Bayer was known for his geographical atlas van-diagram. Addison Dwiggins was the first to use the term Graphic Design.
The information age was a big deal. Claude Shannon combined mathematical theories and engineering principles to set the stage for development for digital computers. (Bell Labs) He modeled the problems in terms of data and signaled processing and thus the coming of the information age. The school at ULM developed a curriculum that addresses new needs of this particular age. Similar goals to the Bauhaus , with a philosophical theories of signs and symbols. ULM evolved along scientific and methodological approaches to design problem solving.
The came early Swiss Design. They set principles to go by; 1. designer and conduit of facilitator for delivering important info, 2. clarity means and form was ideal achievement, and 3. believed solutions emerge from close examination of its content in the most economic way. Anton Stankowiski had a major contribution, the creation of visual forms to communicate invisible process and physical forces. The design process included in depth research of topics from scientific and engineering. Josef Miller Brockman also known as the grid man, designed a book all about the use of grids and grids themselves. He designed the DerFilm and public awareness posters with photos. Music poster masterpieces of the purist understatement and crated visual counterpart to the structural harmony of music. The Swiss movement had a huge impact on American Graphic Designers and the engineering field of corperate graphics.

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